Hugh Hart Online

Rian Johnson on Glass Onion Ensemble
Los Angeles Times 12.26.22

Tar director Todd Field on Cate Blanchett's Brilliance
Los Angeles Times 12.21.22

Elvis Through the Ages
Los Angeles Times 12.19.22

Pinocchio Behind the Scenes
The Credits 12.15.22

Everything Everywhere Star Stephanie Hsu on Her Breakthrough Role
Los Angeles Times 12.05.22

The Bear Break-Through Star on Cooking, Comedy and High-Stress Drama
Los Angeles Times 11.22.22

Menu Movie Gets Boost From Production Designer Ethan Tobman and and 3-Star Michelin Chef Dominique Crenn
The Credits 11.21.22

Cabinet of Curiosities Production Designer Tamara Deverell on Spooky Spaces
The Credits 11.16.22

Causeway Composer Cues the Cellos for Jennifer Lawrence Drama
The Credits 11.04.22

How House of the Dragon Costume Designer Made Elegant Clothes for Dastardly Characters
The Credits 10.24.22

Reasonable Doubt DP on Earning His Stripes to Shoot TV Show
The Credits 10.26.22

Super/Natural Doc Producer Focuses on Nature;s Freakish Beauty
The Credits 09.27.22

Woman King Trainer on Turning Actress into Warriors
The Credits 09.19.22

Lucid Dreamer Olivia Peace Snags Student Oscar Nomination with Against Reality
USC Cinema News 09.08.22

Honk for Jesus Sister Filmmakers on Their Megachurch Scandal Comedy
The Credits 09.06.22

Josh Greene Explores Nazi Surfers in his Student Academy Award-nominated short film
USC Cinema News 08.31.22

Kay Zhang Shoots in Wuhan
USC Cinema News 08.02.22

Hedy Lamarr Award Winner Danielle Explores Bees and Kelp
USC Cinema News 08.28.22

Comedian Beth Lapides on her Audio Book Memoir
Brown University Magazine 08.24.22 September/October 2022

Spotlight Executive Editor Shapes Platform for Student Film Scholars
USC Cinema News 08.23.22

Insecure Star-Creator Issa Rae
Los Angeles Times 08.16.22

George Carlin's American Dream Judd Apatow on co-directing
Los Angeles Times 08.16.22

Kay Zhang Shoots in Wuhan
USC Cinema News 08.02.22

Westworld Director Paul Cameron Makes Leap From Cinematography
The Credits 07.26.22

Nope Cinematographer Hoyt van Hoytema Tackles IMAX
The Credits 07.22.22

Game Makers Tackle "Blocks" Shoots in Wuhan
USC Cinema News 07.21.22

Grayman Composer Henry Jackman on His 17-Minute Action Suite
The Credits 07.21.22

Stranger Things Music Editor Lena Glikson on "Running Up That Hill"
The Credits 07.06.22

How Filmmakers of Color Launched "L.A. Rebellion"
UCLA Magazine 06.14.22

Black Phone Creators Scott Derrickson and C. Robert Cargill Talk Horror
The Credits 06.24.22

Stranger Things Sound Team Give Voice to "Upside Down" Monsters
The Credits 06.20.22

Father of the Bride Director Gaz Alazraki Reboots Classic Comedy with Cuban-American Spin
The Credits 06.17.22

Zoe Chao Graduated from Art History to TV Hit Comedy
Brown University magazine May/June 2022

Succession Composer Nicholas Brittell on Dramatic Music
The Credits 06.15.22

How Jurassic World Dominion Co-Writer Emily Carmichael Packed Seven Heroes and Two Storylines into One Feature
The Credits 06.10.22

Jason Bateman, Laura Linney and Showrunner Chris Mundy Unpack Ozark finale
Los Angeles Times 06.08.22

SeveranceProduction designer Jeremy Hindle De-Constructs Dystopian Office Space
The Credits 05.25.22

TV's New Sci Fi Reflects the Age of Anxiety
Los Angeles Times 05.18.22

Under the Radar: Murderville and We Are Lady Parts Put Fresh Comedy Spins on Detectives and Rockers
Los Angeles Times 05.18.22

Dubbing Tool Voice Q Spurs Foreign Language Entertainment Boom
The Credits 05.13.22

Winning Time Showrunner Captures Basketball's Wild and Crazy Ride
The Credits 05.09.22

Morbius production designer Stefania Cella Creates a Brooding Vibe
The Credits 03.31.22

Professor Ted Braun Profiles Gustavo Dudamel in Viva Maestro! Doc
USC News 03.30.22

Flee Director Talks Animated Doc Oscar Contender
The Credits 03.24.22

Oscar Watch: Sound Mixer Paul Massey on Mastering Sonic Chaos in No Time to Die
The Credits 03.24.22

After Yang DP Captured Thoughtful Mood for AI Family Drama
The Credits 03.15.22

Turning Red Co-Writer Channeled Teenage Angst into Charming Pixar Movie
The Credits 03.11.22

Oscar Watch: Summer of Soul director Questlove on Nina Simone and Sly Stone
Los Angeles Times 03.03.22

Oscar Watch: Belfast Sound Designers Captured Civil War From Young Kenneth Branagh's Point of View
Los Angeles Times 03.03.22

everything's gonna be all white Doc Maker Platforms Citizens of Color against Racism
The Credits 02.17.22

Death on the Nile Costume Designer on Killer Cruise Wear
The Credits 02.11.22

Travelogue Cinema: Charts and Graphs Illustrate Lust for Locations
Los Angeles Times 01.24.22

Oscar Watch: Guillermo del Toro on Three Great Nightmare Alley scenes
Los Angeles Times 01.24.22

Showrunner for Ray Donovan: The Movie Gets Inside Hero's Head One Last Time
The Credits 01.20.22

How Researchers at USC's School of Cinematic Arts Push Limits
USC News 01.22.22

Oscar Watch: Ghost World: Spirits Converge on Spencer, Respect and Last Night in Soho
Los Angeles Times 01.18.22

Oscar Watch: Richard Jenkins, Interesting Enough" for Nightmare Alley and The Humans
Los Angeles Times 01.18.22

Oscar Watch: Production Designer Embraced Dune's Desolate Vision
Los Angeles Times 01.13.22

Oscar Watch: Production Designer Stefan Dechant On Joel Coen's minimalist masterpiece The Tragedy of MacBeth
The Credits 01.13.22

Spider-Man production designer on powering through the pandemic
The Credits 01.03.22