Hugh Hart Online

The Report and Laundromat Take Different Tones to Depict American Dysfunction
Los Angeles Times 11.07.19

Oscar Loves Divas
Los Angeles Times 11.14.19

Just Mercy Director Re-Dramatizes Injust Death Row Inmate
Los Angeles Times 11.07.19

Us Cinematographer Showcases Dark Spaces
The Credits 09.29.19

Us Costume Designer Gets Spooky Jumpsuits
The Credits 10.31.19

Jojo Rabbit VFX Keeps it Simple
The Credits 10.28.19

Ford v Ferrari Stunt Coordinator
The Credits 11.06.19

Music Supervisors Pick Hits
Fortune Magazine 09.12.19

Chernobyl Director Likes it Dark
The Credits 09.11.19

Emmy Watch: Killing Eve Showrunner Keeps it Funny
The Credits 09.09.19

Inside Succession
Fortune Magazine 09.08.19

Bob Odenkirk Goes Dark For Better Call Saul
Los Angeles Times 08.22.19

How Stunt Man Gary Kent Inspired Brad Pitt's Character in Once Upon a Time... in Hollywood
The Credits 08.19.19

Casey Affleck and Young Co-Star Look for Truth in Light of My Life
The Credits 08.08.19

Alamo Drafthouse Remains Bullish on Moviegoing Amid Expansions
Fortune Magazine 07.30.19

Orange is the New Black Production Designer
The Credits 07.27.19

Writers Explain Marvel Future
Fortune Magazine 07.17.19

How Spider-Man Writers Crafted Swinging Hit
The Credits 07.03.19

Spider-Man Production Designer
The Credits 06.27.19

Beatles Shine in Yesterday
The Credits 06.27.19

Global VFX Fuel Men in Black: International
The Credits 06.27.19

Alum Simon Kinberg Dives Into Directing
Brown Alumni Magazine 07.10.19

Classic Rock Drives Summer Movies
Fortune Magazine Online 06.27.19

Life After Deadwood For Prestige TV Stars
Los Angeles Times 06.27.19

Godzilla Visual Effects Meld Bird and Beast
The Credits 06.17.19

X-Men Director Makes Debut
The Credits 06.06.19

"Rocketman" Sound Mixer Amplifies Elton John's Headspace
The Credits 06.05.19

The One Tech Platform Used in Game of Thrones and Avengers
The Credits 06.03.19

Change Agent: "Nancy" Podcaster Gives Voice to LGBQT Issues
UCLA Magazine May/June, 2019

Quick Take: Ryan Wilson Gets Rollling With Mr. Good Boy Cart
UCLA Magazine May/June, 2019

Booksmart Producer Smartly Hires Olivia Wilde to
The Credits 05.28.19

Russian Doll Trio Deconstructs Timeloop Drama
Los Angeles Times 05.30.19

"Killing Eve" Casts Sandra Oh and Fiona Shaw as Artful Spies
Los Angeles Times 05.23.19

Scene Stealers: Kieran Culkin as Succession Corporate Brat
Los Angeles Times 05.23.19

How Costumer Designed Sleek John Wick Look
The Credits 05.17.19

Scene Stealers: Get Shorty Villainous "Amara" Goes Deep
Los Angeles Times 05.23.19

Director Keeps it Real in John Wick 3
The Credits 05.17.19

Clean Water in the Future
UCLA Magazine May/June, 2019

Play the River Deck of Cards Engaged the Public
UCLA Magazine May/June, 2019

New Scholarship Honors Designer Lorraine Wild
CalArts Magazine May/June, 2019

Ricky Gervais Talks Death and Comedy in After Life
Los Angeles Times 05.16.19

The Art of the Comb Over, Fosse/Verdon Hair Designer
The Credits 04.11.19

How Dumbo Producer Helps Tim Burton Find His Creative Space
The Credits 03.22.19

Marin Hinkle Scores as Rose in Marvelous Mrs. Maisel
Alumni Magazine March/April, 2019

A Bigger Bang: Directors Navigate VFX Spectacle With Aplomb
DGA Quarterly Spring 2019

Highwaymen Production Designer Re-Creates Pursuit of Bonnie and Clyde
The Credits 03.15.18

Captive State DP Pictures Chicago After Alien Invasion
The Credits 03.15.18

Russian Emigre Writes "Saint Judy" Movie, an Immigrant's Tale
Los Angeles Times 03.01.19

Black Panther Composer Inspired by Trip to Africa
The Credits 02.21.18

Artist Makes Feature Debut at 66 with Animated Ruben Brandt
Los Angeles Times 02.22.19

Black Panther Composer Inspired by Trip to Africa
The Credits 02.22.18

Oscar-nominated Mary Poppins Returns composer Marc Shaiman Talks Shop
Los Angeles Times 02.14.19

How Vice Make Up Maestro Turned Christian Bale into Dick Cheney Look-Alike
Los Angeles Times 02.14.19

The Many Faces of Christian Bale
Los Angeles Times 02.07.19

"I Am the Night" Creator on Fact-Based Noir
The Credits 01.28.19

State Like Sleep Director Taps Personal Life for Grieving Detective Story
The Credits 01.16.19

Oscar Watch: Composer Terence Blanchard Re-Teams With Spike Lee on KKK Klansman
The Credits 01.14.19

Oscar Watch: Composer Nicholas Britell Scored Vice and If Beale Street Could Talk
The Credits 01.14.19

The ambitious storytelling of 'Widows' and 'The Favourite' takes genre tropes to new places
Los Angeles Times 01.12.19

Oscar Watch: Composer Brian Tyler Spiced Crazy Rich Asians
The Credits 01.10.19

Tim Blake Nelson is Buster Scruggs
Brown Alumni Magazine 01.09.19

'On the Basis of Sex,' 'A Private War' and other films put the power in women's hands
Los Angeles Times 01.09.19

Stan & Ollie Director Re-creates Comedy Gold
The Credits 01.07.19

How Ruth Ginsburg's Nephew Wrote On the Basis of Sex
The Credits 01.07.19